Best-selling author E.M. Powell chats with me about her audiobook!

Since June is audiobook month, I asked another bestselling author to tell me about making an audio version of their novel. This time we have E.M. Powell, whose debut novel The Fifth Knight was an Amazon number 1! Trust me, hitting the top spot is an incredible achievement, and one I’m very jealous of, so I’m sure Elaine will have plenty of good advice to offer.  

Hi Elaine, I’ll start with a simple one: Why make an audiobook?

My route to publication was slightly unusual. The Fifth Knight, my medieval thriller about the murder of Thomas Becket in 1170, was originally published as a Kindle Serial. Kindle Serials were an venture where readers paid one price for a book and then received it in installments over a six week period. My publishers, Thomas & Mercer, then released it as a complete novel. The audiobook followed almost twelve months later in October 2013.


How did you find your narrator and why did you choose him?

Thomas & Mercer took care of all that. And I think they made a fantastic choice in James Langton. James has narrated dozens of Audiobooks in historical, thriller and romance genres. Reviewers of all his work seem to like his voice a lot. One said she found ‘his tone soothing and the slight huskiness to his voice very attractive.’ I think that’s a fair description!

How did you feel when you first heard your book being read by James?

Weirdly, I was really nervous before I pressed play! I think that when we write novels, we have our own internal voice in our head. Then when we read aloud, it sounds different. To then listen to a third party read our words makes it into something else again, something over which we no longer have control.

I think it’s also a bit like when you see a film or a TV series based on a novel you like. The medium of the book has now been changed. Done badly, it ruins a good book. Done well, it becomes something that you can enjoy just as much, which was the case for me. I loved how James narrated The Fifth Knight.

I agree, not just as writers, but as readers too, we have our own internal voice, our own idea of how a narrator sounds. It can be very strange to hear a different voice reading your words!

How has feedback been so far from listeners?

Generally very positive. I really liked what this reviewer had to say: ‘James Langton did a really good job of narrating the book. His voices were a very good mixture and easy to identify the characters. The women’s voices were well done also. I felt like he had a real feeling for the characters and was not just reading them like some do. I will look for more from him.’

In The Fifth Knight, easy identification of characters was essential. I had at times five characters (All potentially called Sir!) in the same fast-paced scene. This was difficult enough to keep clear on the page. Without a really good narrator, it could have been too difficult to follow.

But it’s an oddly different process from other reviews, which are all about the novel and the actual story (mostly!). Audio reviews are of course about the narrator as well.

Any tips for authors wanting to make an audiobook or promoting one?

Less is more when it comes to characterisation. An Audiobook is not a radio play, it’s a narrated novel. A radio play might last an hour. An Audiobook like The Fifth Knight (which is a standard 100,000 word novel) runs at eleven and a half hours. So while you might have an Irish or a French character that doesn’t grate in writing, it would be very easy to drive a listener up the wall with repeated Top O’ The Morning/Inspector Clouseau voices.

Actually, that sounds highly entertaining, although you’re probably right and it would grate after a while! Do you plan on making more of your books available in audio format?

The sequel to The Fifth Knight is called The Blood of The Fifth Knight and is to be published by Thomas & Mercer in late 2014 (as a complete novel: there is no serialisation this time). The production process for the Audiobook has already started.

Would you use the same narrator?

I have pleaded for James Langton again and am hoping those pleas have been listened to!

Overall, how do you feel about the whole experience?

It’s been a bit daunting and of course it requires another round of promotion. But I think there’s going to be more readers who will take up Audiobooks with advances in technology such as Whispersync that’s available on When you own the Whispersync for Voice-ready Kindle book and the Audible audiobook you can switch between reading and listening without losing your place. Overall, it’s been great.

Many thanks to Elaine for answering my questions. I hope you’ll check out her audiobook and keep an eye out for the sequel, Blood of the Fifth Knight



E.M. Powell is the author of the #1 Amazon bestseller, The Fifth Knight, a medieval thriller based on the murder of Thomas Becket in Canterbury Cathedral in 1170. The next book in the series, The Blood of The Fifth Knight, will be published by Thomas & Mercer in late 2014. Visit her website at or her Facebook page at . The audio version of The Fifth Knight can be purchased here:




Q&A with author Gordon Doherty on creating his audiobook

My guest today is Gordon Doherty, a fellow Scot and author of the excellent Legionary and Strategos series. Gordon was a great help to me when I first started to think about self-publishing, helping with things like formatting and choosing a cover designer. By lucky coincidence, we both created audiobooks of our debut novels around the same time so, as June is apparently “audiobook month” according to Amazon’s ACX division, I thought I’d ask him about his experience.

Please enjoy!

You have a few books out now, all in ebook and paperback formats, and you do very well in terms of critical acclaim and sales. What made you decide to make an audiobook?

A: Since the early months of 2011, when Legionary first saw the light of day and readers started asking for more, I have spent most of my time with my head down, writing and publishing furiously. At the tail end of last year I thought it would be a good idea to take a step back, have a short break, and think about the direction of my writing career and how to get the most of my back-catalogue.

I listened in to a few self-publishing podcasts for advice on this. They offered tips on how and where to market your book and advice on how to manage blogging, tweeting etc without it taking up too much of your writing time. None of this was news to me, until they started talking about diversity – in essence, making your book available on every possible medium. This made me sit up and take notice. Until then I had published my books in eReader and paperback format, but what about the audiobook market?

I had a look online for guidance on how to get started with this side of things. There were no slick and easy self-publishing sites for audiobooks as there are for eBooks. I then realised that publishing an audiobook on, for example, Amazon’s Audible website, was particularly involved, as it involved setting up a US company amongst other things – complex to say the least. Added to that, it seemed that most narrators charged fairly hefty fees to narrate a book. This dampened my initial enthusiasm, but only for a short while…


How did you find your narrator?

A: I didn’t – he found me! As mentioned above, I had put my grand audiobook plans on the backburner. Then, one day late last year, Simon Whistler got in touch with me. He’s an audiobook narrator with a particular interest in self-publishing (as you’ll see from his website He had read Legionary, and strongly declared his interest in creating an audiobook version of it.

I was going to ask why you chose him, but you’ve just answered that! What made his voice stand out for you when you heard him?

A: There were a number of factors, but Simon’s enthusiasm and confidence were key. In his initial communication, he sent over a demo narration of the first chapter of Legionary. The quality of the demo was outstanding and this show of initiative really got me on board.

How did you feel when you first heard that initial demo read by Simon?

A: Cliché alert! It was spine-tingling. Seeing my book in print for the first time was an exceptional moment. Hearing it narrated with passion and verve was equally unforgettable. And then when the full version eventually came about, it was even better!

Now, the part most people will want to know about! How did you pay for Simon’s services? Did you pay him up front, or do the royalty share, where your narrator gets half the royalties, rather than a one-off lump sum?

A: Simon offered a royalty sharing deal. With this approach, he did the narration for free, and he takes a percentage of the profit accrued from sales.

Are you glad you paid in that way?

A: Definitely. This approach means Simon has bought in fully to the project and the resultant product. It is in his interests to promote the audiobook as much as it is in mine. And, knowing how enthusiastic and effective Simon is about ‘spreading the word’, this can only be a good thing (I’m still a novice in the art of audiobook promotion). Also, Simon took care of setting up the American company and the legal side of things that had deterred me previously, so that’s another win. (I should point out, ACX no longer requires you to be based in the US to use their program. It’s open to UK authors as well as of April 2014 – Steven)

Of course, if Legionary does well as an audiobook, then I’ll probably lose out a little in the longer term, but I think this was a prudent approach for my first foray into the audiobook world. Perhaps you and I can compare notes at some point in the future to see which approach works best?

That’s a good point about your narrator having a greater interest in promoting the title than if you paid in a lump-sum, as I did. I hadn’t even thought of that until now! 

How has feedback been so far from listeners?

A: It’s shaping up nicely. Most direct feedback has commented on Simon’s narration and how much he sounds like Tom Hiddleston! As for reviews, it’s looking good too. At first though, it was a bumpy ride: as sod’s law would have it, the first review was a stinker, with one listener seemingly infuriated by the narrator’s pronunciation of the word ‘grimaced’. It was disappointing, but that’s life. Since then, a few strong reviews have come in to bolster the audiobook’s standings.

I read that review, but I have to say how Simon says “grimaced” hasn’t been an issue for me. 

How have you been promoting it?

A: Well, I’m still working on that! This blog will hopefully help spread the word, and I have a handful of freebie codes to give away to any willing reviewers (if you’re interested, drop me a line at I did the initial shout out via Twitter, Facebook, Google+ etc etc when it first came out, but I don’t want to labour that (I used to tweet almost every day about my latest book, but I’ve since stopped doing that, and noticed no adverse effects on sales).

Do you have any tips for authors wanting to make an audiobook or promoting one?

A: Find a narrator that sounds right for your work, and who is easy to work with. Not exactly ground-breaking advice, but worth affirming.

As for promoting an audiobook, come back to me in 6 months!

With the first one under your belt, do you plan on making more of your books available in audio format?

A: Yes, definitely. It seems like a no-brainer now that I’ve done it once. The process involved maybe 20-30 hours of my time to proof-listen to the audiobook and to advise Simon on pronunciations etc (I use a fair few Latin terms). That’s not a massive outlay in the grand scheme of things, and I’d be happy to do it again.

Is there anything you plan on doing differently next time around?

A: I might consider paying up front if there is evidence that this might be more lucrative. Then again, money isn’t everything and I do like the simplicity of royalty-share. One thing I would do is a ‘spring-clean’ edit of a book before it is narrated. During my proof-listen of Legionary, there were a few bits that the perfectionist in me wanted to change. Not major stuff, just stylistic choices and that kind of thing.

Would you use the same narrator? What about for your other series? Would you try a different narrator for that maybe, just to make the distinction clear between the two?

A: I’ll hopefully be working with Simon again. That said, I’m open to trying different styles. Perhaps for my Strategos trilogy set in the last years of the Byzantine apogee, a different voice might help to distinguish that tale.


Overall, how do you feel about the whole experience?

A: The project has left me with a strong sense of satisfaction. It wasn’t overly complex or time-consuming, and the end product is of high quality. It’s great to look at the Legionary page on Amazon and see the formats section listing eBook, paperback and …. audiobook

My thanks to Gordon for taking the time to answer my questions. I’ve been listening to Legionary at work in the past week or so and really enjoyed it. A review will follow when I get a chance to write one up, but for now I’ll just say it’s highly recommended!


Find out more about Gordon and his books on his official website here:

And BUY your copy of the Legionary audiobook from Audible, here:
Gordon has also posted an interview he did with me, about my Wolf’s Head audiobook. You can find that on his website, here:

Writer’s and Artist’s Yearbook article by me



Writer’s and Artist’s Yearbook article by me

The W&A Yearbook asked me at LBF14 if I would write a piece for their website. I was more than happy to do something for such a prestigious publication!

Check it out, and keep your eyes peeled for more in the near future!