First off, I have been asked by Amazon KDP if I’d like to be part of their forthcoming event in Edinburgh on May 23rd, to which I of course said, “I’d LOVE it!” I might have picked them up wrong but it seems they want me to be part of a panel giving advice to aspiring authors, rather like I did with them at the London Book Fair in 2014 (read about that incredible, and often humourous experience HERE). So, if you are in Scotland and can make it to the EICC on May 23rd, please come along and say hello – I will be taking copies of one of my books to sign and give away to interested parties!
Some more info HERE – I believe you need to sign up but tickets are free.
Right, enough of that. Onto some reviews of my latest Audible purchases….
I was a spotty teenager when I first discovered The Sword of Shannara more than 25 years ago. My friend was given it as a birthday gift and oh, how I laughed at him for being a geeky nerd twat!
Until he let me borrow it and I thought it was just the best book anyone had ever written.
It was my gateway into fantasy and, although now I can see it’s basically a total rip-off of Lord of the Rings, it’s still an excellent read/listen. The parallels with JRR Tolkien’s masterpiece are blatant and legion (Flick & Shea = Frodo & Sam, Gimli = Hendel, Aragorn = Balinor, Gandalf =Allanon, Nazgul =Skull Bearers etc etc), but Brooks is, or at least was, a fantastic writer and I highly recommend this to everyone. My only reservation is the bizarre amount of times he describes characters as “lean”. It seems everyone that populates this world, from the giant druid Allanon to the lowliest goblin, is “lean”. They have lean frames, lean faces, lean figures…They could all do with a good feed from the sounds of them.
But I digress, it matters little to the overall experience, and this is one of the most enjoyable audiobooks I’ve listened to so far. Scott Brick isn’t perfect for fantasy narration – I liked him way better in Asimov’s sci-fi Foundation series – but he does a fine job here, even if his pronunciation of “Shannara” is irritating at first and he sometimes gives Flick a weird Dick Van Dyke-style cockney accent.
It’s a really long book so it represents great value for your monthly credit!
My rating – 5 / 5, easy!
Writing Great Fiction – The Great Courses
I enjoy listening to lectures for some reason and this seemed like it would be an ideal way for me to learn a few new tricks while I drive around at work.
To be honest, and I’m not blowing my own trumpet here, I think this is probably aimed more at real beginners who’ve yet to pen a novel or publish even a short story. I found the lectures interesting although I’m unfamiliar with the vast majority of the books the professor uses as examples. They’re mostly all classics but I grew up on fantasy and sci-fi and now concentrate on historical fiction so I’ve not read The Maltese Falcon or Dickens or Melville but it doesn’t matter, you get the point of the lectures regardless.
The overall theme seems to be: “I’m not saying this is the right way or the wrong way to write because different authors forge their own path.” In other words, there might be rules most authors will stick to but they’re there to be bent and broken so, do what you like.
If you’re looking for some concrete ways to write a best-seller this isn’t for you. It IS, however, an interesting and entertaining listen and I’ve enjoyed it so give it a shot.
Rating – 3.5 / 5
That’s it for now I’m afraid. I have a few other new books in my library including the next two in the Dune series, a history of the decline of the Roman Empire, and an Aleister Crowley biography but I’ve either not finished those or not started them yet. I’ve been listening to too much AC/DC recently after buying myself a Gibson SG Standard and rediscovering my once-favourite band!
Keep it tuned here for more audiobook reviews and news on the release date of my final Forest Lord novella, The Abbey of Death which is all finished….
